| Abaz HOXHA | History of World Cinema | Albania |
| Anne REVEL | The Assistant-Director | France |
| Barbara HAUSAMANN | Photography | Switzerland |
| Ben RIVERS | Experimental Film | USA |
| Blerim GJOCI | Master Class on Acting | Kosova |
| Brand FERRO | Documentary film | Macedonia |
| Bruce WILLIAMS | American Cinema | USA |
| David CHANATRY | Broadcast Journalism – Storytelling | USA |
| David D’ARCY | Master Class | USA |
| Dominique DE RIVAZ | Master Class on Directing | Switzerland |
| Elia ZAHARIA | Acting | Albania |
| Elvis HOXHA | Aesthetics – Philosophy | Albania |
| Emmanuel CABANES | Theory & History of Editing | France |
| Eno MILKANI | Editing | Albania |
| Ergin KUKE | Visual Effects in Film and TV | USA |
| Faruk BASHA | Cinematography | Albania |
| Fiona HOWE | Script Writing & Directing | England |
| Flavio COSTA | Italian Cinema | Italy |
| Fred SCHULLER | Director of Photography | USA |
| Gareth JONES | Script Writing & Directing | England |
| Gëzim QENDRO | Modern Art History | Albania |
| Goran MARKOVIÇ | Master Class on Directing | Serbia |
| Goran PASKALJEVIÇ | Master Class on Directing | Serbia |
| Hajo SCHOMERUS | Cinematography and new Technologies | Germany |
| Heidi SPECOGNA | Documentary movie | Germany |
| Iris ELEZI | Film Analysis – Modern Cinema | Albania |
| Javier REBOLLO | Nature and Mystery of the Mise-en-Scène | Spain |
| Jean-Louis BERDOT | Directing | France |
| John H. JOHNSEN | USA | |
| Jürgen SEIDLER | Script Writing | Germany |
| Jutta BENZENBERG | Photography | Germany |
| Karim DRIDI | Master Class on Directing | France |
| Kiço BLUSHI | Scriptwriting | Albania |
| Kristaq DHAMO | About the Albanian director Xhanfize KEKO | Albania |
| Knutte WESTER | Documentary movie | Sweden |
| Ksenofon DILO | Scenography | Albania |
| Kujtim ÇASHKU | Film as a moving Image | Albania |
| Laura SHAPIRO KRAMER | Film’s structure | USA |
| Liljana TESHO | Make-Up | Albania |
| Lisa CASTAGNA | The Script-Girl | Italy |
| Luljeta LLESHANAKU | Script Writing | Albania |
| Lutz KONERMANN | Directing | Germany |
| Marina SPADA | Italian Cinema | Italy |
| Michel FAURE | Sound in Film | France |
| Miguel HERMOSO | Master Class on Directing | Spain |
| Miriam KELLERHALLS | Author’s Rights | Germany |
| Mitko PANOV | Masterclass on his film “The War is Over” | Macedonia |
| Myriam ABRAMOVITCH | Documentary movie | USA |
| Natasha LAKO | Dramaturgy structures | Albania |
| Naomi UMAN | Experimental Films | USA |
| Nicolas BARRACO | Visual Effects | France |
| Nico GIRASOLE | Documentary movie | Italy |
| Nina GROSSE | Directing | Germany |
| Noël SIMSOLO | French “Nouvelle Vague” | France |
| Petra SELISHKAR | Documentary film | Macedonia |
| Pierre-Henri DELEAU | French “Nouvelle Vague” | France |
| Piro MILKANI | Narration | Albania |
| Rajko GRLIC | Directing and Producing | Croatia |
| Sam KUTE | Script Writing | USA |
| Srdjan KARANOVIÇ | Master Class on Directing | Serbia |
| Stefan GAJO | TV & Film making technics | Albania |
| Sylvia SCHEDELBAUER | Experimental Film | USA |
| Tamara MILOSEVIÇ | Directing | Germany |
| Tania RAKHMANOVA | Master Class on Directing documentaries | France |
| Theodore S. ORLIN | Human Rights & Media | USA |
| Thomas DOHERTY | American Cinema | USA |
| Thomas LOGORECI | Screenwriting | USA |
| Timo FLLOKO | Acting | Albania |
| Todi BOZO | Film Producing | Albania |
| Vincent HAZARD | Workshop on Directing-Producing | France |
| Vladimir PRIFTI | Film grammar | Albania |
| Yves ANGELO | Cinematography | France |